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A very dark blue violet color and considered a ready-made secondary color. It has virtually the strongest tinting strength of all colors, while maintaining a cool, deep transparency
Often used like a black to create shadows and darken colors. A little goes a long way!
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A transparent white that has light reflective particles
Create a subtle, iridescent sheen
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A transparent Blue-Black named for the English Watercolorist William Payne (1760-1820) who introduced it in his work in the late 18th Century
Its primary modern use is for toning down colors and for creating shadows
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A mid-range Blue masstone that makes rich Blue washes that have no trace of Red undertone
A staple for shadows, portraits, landscapes, and seascapes
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A must-have for any palette, Alizarin Crimson is most often used as the cool red in primary color palettes
Highly versatile in mixing secondary colors, earth tones, skin tones, and more. Creates cooler red tints
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An intense, cool Jet Black masstone with equally cool undertones
Derived from soot, this Black makes cool Grays when mixed with White
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A classic light yellow, Lemon Yellow is a cool yellow with a pronounced Green Undertone
It may be considered one of the Primary Colors for color mixing
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A traditional deep brown earth color, it is one of the few colors that is warm in mass tone and cool when diluted with white
A universal earth tone excellent for glazes, brunaille, shadows, etc.
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A cool, slightly transparent silver
Carries a fine metallic sheen
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A highly opaque white with a stiffer consistency than Titanium White Soft, it creates velvety, matte texture when dry. It boasts the highest tinting power of all the white except for Pre-tested Superba White, which would be its equal in tinting strength
Titanium White has a tendency to yellow slightly over time when used straight from the tube. Consider using Pre-tested Superba White for masstone work
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Color is made with finely ground pigment and has an ASTM lightfast rating of 1-Excellent
Smooth, rich paint is highly pigmented and has superior tinting strength at a single student price
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One of the most commonly used purples in oil painting, Dioxazine is a rich, complex color that is very dark in masstone so much so that it is sometimes used as a black. Creates vibrant tints when mixed with white
As it is very cool on the temperature spectrum with an extremely high tinting strength that can quickly overpower other colors in mixes, it’s advisable to use sparingly
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A workhorse on the painters palette, Sap Green is a neutral green with yellow undertones that can easily shift to warm or cool depending on the colors it is mixed with
Semi-opaque with a moderate tinting strength, Sap Green is a staple mixing green for colors in the natural world as it has a slight muted quality that still maintains chroma in tints and shades
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A deep, intense, yellow-undertone blue with an iridescent sheen. Extremely dark in masstone, it can be used as a cool black. Very powerful tinting strength can overpower mixes and should be used in small amounts
Brilliant greens can be achieved when mixed with cool yellows like Bismuth or Zinc. Semi-opaque, small amounts create beautiful, complex glazes. Although not a staple in primary palettes due to its tinting strength it is a common item found in most painting studios
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A deep semi-transparent green that is often used as a cool green in many palettes. It mixes incredibly well to create rich tertiary colors and glazes
Slightly muted, Viridian has often been a staple for painting the natural world
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Either straight from the tube or when mixed with white, strokes and washes are vibrant and luminescent with subtle gradations
Only finely ground pigments are used in making this smooth, rich paint; Paints made in USA
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Accelerates oil paints’ drying time
Ideal for hobbyists and decorative painters, not fine art application
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A mid-range light yellow with a slightly red undertone, this color has strong tinting strength and opacity
Great for making bright greens, essential to any basic mixing palette. Perfect for a split triadic palette, landscapes, or warm toned palette
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Surface prep medium
For use before oil and acrylic painting; Made in USA
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Create textured surfaces that can be painted over with oil or acrylic colors
A flexible, durable, soft body paste with an extra fine-texture; Made in USA
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Can be added directly to oil paint to make colors glossy and fluid
May also be used as a paint binder ingredient when mixing colors from powdered pigments
Nullify
Can be added directly to oil paint to make colors glossy and fluid
May also be used as a paint binder ingredient when mixing colors from powdered pigments
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Use with oil paints when matte finish is desired
Ideal for use in underpaintings, on absorbent gesso and for mural work
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Each color swatch has been tested for masstone, mixability, lightfastness, drying properties, pigment dispersion and viscosity
Truly a professional paint, the majority of our colors are single pigment, and have a lightfast rating of 1-excellent; Made in USA
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Produces brilliant, lustrous transparent colors and glazes
Holds precise lines and strokes during alla prima techniques without feathering or bleeding
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Vibrant, luminous transparent watercolors
Individual colors easily snap out for versatility and convenience
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